Voices on the Wind Open Theme
Three Early Poems From the Late South by Gary David I. The Stumps of Eastabutchie, Mississippi A red clay road tries to wash us off its slick back, but somehow we stick. Violet clusters of wisteria hang between white moths of dogwood. On the porch of a tiny tin shack, a gray man in bare feet and T-shirt greets us. His hand thrusts forward to shake hard as the ash wood handle of his sharp ax. Somehow he trusts us. He shows the scar on his chest where last fall a chain saw gnawed. Tough as a stump, he talks his trade of wood cutting. How it cuts deep his people—black and white. The way dealers with blank ledger faces weigh the wood, size up and grind the pulp, treating him and his sons like toothless machines: the missing link between pine and paper. He feeds us hot dogs and Kool-Aid. We promise ourselves we’ll work for safer labor, a new union. Tonight we sleep in the big city. And tomorrow, white sheets ready to record our inkblot dreams, perhaps we’ll remember the scent of pine sap from crosscut logs, his beads of sweat lost in a shifting mountain of sawdust. II. T-bone and a Half Pint “I’m like God. I like everybody.” Mikaela Sue, my Cherokee half polecat neighbor from Broken Arrow, Oklahoma –Mike for short– was mistaken one New Orleans steam bath afternoon by a bouffant fatback two-stepping in a hand-me-down evening gown for being a lady-liker. “I aren’t a faggot. And if you think so, sister, I’ll knock your socks clean over this here bar!” Mike screeched for another shot of Yukon Jack to freeze her wheezing cancer in its snow-shoed tracks as the bucktoothed dancer sidled off to stick her jiggle in the ear of some hit man for the Klan. Night fell before we staggered home— T-bone and a half pint under my arm. And I picked a git-fiddle to Hank Senior on the record box while she sang in memory of her twenty-year-old voice heard twenty odd years ago over the Grand Ole Opry radio, she said. Serving me the meat, she downed her cough syrup—dying by the ounce. III. Mississippi Back Roads As you pass the churches and cemeteries both full on Sunday morning, you find you’ve picked up a passenger along the way. He sits elfishly on your right shoulder as you drive. He waits patiently, humming to himself. Instead you hear a fly buzz. He knows exactly how much time. He might file his nails, or doze. Just when you’ve forgotten him (or somewhat later) he turns on you, demands the wheel of your car. Shaken, you’re driven down a road you’ve never seen before—until you run out of road. Between the shadows of wisteria he takes you. In a white rush that leaves smeared silence, his grin whispers: You’re already dead. And you notice red mud sticks to your boots.